On The Road 2012

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Well done, but otherwise empty road manages to capture the late 40's in the American tour oriented features skiing, smoking, sex, drugs, alcohol and driving gas and food, but also as a history of little or nothing to say. The result of this adaptation of the famous novel by Jack Kerouac's boring, so that the unfortunate Eric Gautier rich, smoky film shows the direction of Walter Salles and the stand-out of the distribution. That being said, I managed to get my interpretation of the material, which could slightly increase your overall look, to find, but it is not saving grace.

Since 1947, we have Sal Paradise (Sam Riley), a writer who can not find anything to say. Words do not come, but the inspiration of his friend and writer Karl Marx (Tom Sturridge) for the night with Dean Moriarty (Garrett Hedlund) and his new wife, 16, Marylou (Kristen Stewart).

First impressions as dean door naked free spirit (which is at least twice as many movies for two hours, plus time) opened Marylou naked on the bed behind him. Night turns into weeks, months and years of on-again/off-again parties, excursions and various forms of public corruption.

New York, California, Louisiana, Nebraska, to follow. Separately and together Dean and Sal travel to a country where they were joined by friends, relatives and acquaintances of each new problem step, it all seems a bit more than we bring together cartoons in history, does not go anywhere apart.

Take, for example, Sal Solo trip to California, where he met with Terry (Alice Braga), a young single mother who has a brief affair when working with cotton fields. Finally, he returned to New York, leaving her, her whole story. Why is this necessary? In addition, their journey, because you need to see them constantly steal food stations along the way and quoting Harry Truman same line? "We need to reduce the cost of life." I took it the first time.

These characters are all clearly lost, looking for something and can not find I can not say never. That was until I started trying to interpret what's going on, to find and get away with saying anything.

Paradise Road tells the character in an attempt to put down on paper his story, tells the story on the screen. My interpretation consider Sal, Dean and Carlo three different personalities and the same person. Sal is a responsible, loving and caring type, the wild man of Dean and Carlo as a spectator so zealously fight for your attention and magnificence. Each of us has a particular aspect of their personality in us, even if we do not act on them, and that I understand that the story is told by the narrator - Sal, in this case - with their different personalities to explore and told him the following story.

 Indexes, such as paintings divided into two, and then back together and Mexican dance sequence which produces about Dean and Sal together, were killed, led me to believe that either have or are actually the same person.

Paints a picture of the end of Sal was angry and jealous of its resources, which makes part of his life in a "normal" life, something Marylou early in the film. He found an outlet for his writings and his demons have allowed him to bring peace and normalcy in their lives.